Saturday, March 14, 2009

It will happen on March 25



The 1st REEL AWARDS which was earlier scheduled to be announced on March 5 was postponed due to some technical problems. We had to expand the list of the jurors and the grueling task forced us to miss our date with the Stars. Since we have completed our nomination list and other associated work, we are now impatiently waiting for votes and compilation of the winning list.
On March 25, the winners will be announced here. Till then have a Breathtaking Break

Monday, February 23, 2009

Oscar at 81: Yes we were right


M
ore than a month ago on January 18, far from LA, here in India, the Team GNBI posted a list of nominees whom we thought deserved to be nominated by the Academy. We also posed a question whether we and the Academy think in the same dimension.
After the nominations were announced, we realised that we are quite coherent with the Academy. A month later, on this Monday morning, realisation dawned on us that we were absolutely correct with our winners, too. Of the top six categories for which we had announced our nominations and winners, the Team GNBI was correct in 5 of them. Numerically, we were 83.33% correct.
Except for the Best Supporting Actress category -- where he had chosen Viola Davis for her role in Doubt but the Academy awarded the golden statuette to Penelope Cruz for Vicky Cristina Barcelona -- our choice of winners were echoed by the Academy.
We had predicted Slumdog Millionaire to get the Best Motion Picture and Best Director trophies and we were right. We said Heath Ledger will get Best Supporting Actor trophy and we were again correct. Our choice of Kate Winslet was also correct for Best Actress only that we thought it would be Revolutionary Road but the Academy gave it for The Reader.
But it was in the Best Actor category where we went against the tide and said that Sean Penn deserved the trophy for his mesmerising portrayal of Harvey Milk. While the world rooted for Mickey Rourke for The Wrestler after he swept other coveted awards in the run up to the Oscars, we stuck to Sean Penn. The star of the Dead Man Walking too was not sure of getting it which he said while holding the golden Knight.

Our Score: 5/6


Jai Ho!
Since the return of Whoopi Goldberg to host the Oscar night at the Kodak Theatre in 2002 -- the year India’s Lagaan directed by Ashutosh Gowariker got an Oscar nomination in foreign films category -- there has never been so much buzz about the Academy Awards in India. Thanks to Danny Boyle’s Slumdog Millionaire. The rags to riches drama, essentially a simple love story, beginning its journey from Mumbai’s slums has reached the LA’s streets. The movie which did not see the light in Indian theatres till it began scooping awards in all the major ceremonies gave three Indians their first golden statuettes -- A R Rahman (Best Original Score and Best Song), Gulzar (Best Song) and Resul Pookutty (Sound Mixing). Jai Ho!

Love Guru Rahman
“…all my life I had a choice of hate and love. I chose love and I'm here. God bless.”
These words from A R Rahman after getting his second Oscar on Sunday night for the Best song made it amply clear why the Genius is so humble. And don’t forget that Rahman brought the immortal dialogue of Deewar -- Mere paas Maa hain (I have my mother with me) -- to the Oscars.

Oh Jack! You were incredible


Finally, Hugh Jackman has put to rest all criticisms and questions raised against him during pre- Oscar months. On Sunday night, he was scintillating, captivating, enthralling and above all 24-carat entertainer. He sang, peeled up laughter, shook his hips, matched his dancing feet with Beyonce and above all anchored the entire show. Hats off Jack. You not only looked good, you also charmed the audience.


Right garnish!



No not the food at the post Oscar bash, but the small dosage of gay rights voices sprinkled during the ceremony. And of course, the voices were heard from Milk awardees -- the film based on Harvey Milk, the first openly gay politician who met a tragic end.
It began with Dustin Lance Black, who won the Best Original Screenplay Oscar for Milk. Black, who is openly gay, broke down during acceptance speech and said: “If Harvey had not been taken from us 30 years ago, I think he'd want me to say to all of the gay and lesbian kids out there tonight who have been told that they are less than by their churches, by the government or by their families, that you are beautiful, wonderful creatures of value and that no matter what anyone tells you, God does love you and that very soon, I promise you, you will have equal rights federally, across this great nation of ours. And thank you, God, for giving us Harvey Milk.”
Later, as Sean Penn got the coveted Best Actor award for his portrayal of Milk, the straight actor took Black’s message forward by saying, “And finally, for those who saw the signs of hatred as our cars drove in tonight, I think that it is a good time for those who voted for the ban against gay marriage to sit and reflect and anticipate their great shame and the shame in their grandchildren's eyes if they continue that way of support. We've got to have equal rights for everyone.”
After the historical election of Barack Obama as the first African-American President of the USA and Hollywood which have openly showered their support for the Democratic nominee during last year’s November 4 election, it was amply clear that there will be references of it. Though it didn’t come very frequently, but Penn’s this statement summed it all: “I'm very, very proud to live in a country that is willing to elect an elegant man president and a country who, for all its toughness, creates courageous artists.” Hope -- Obama’s one word inspirational tool -- was the buzzword at the Academy.


Carpet Bedazzled

The Red Carpet has always been the progenitors of fashion statements and icons. This year, it was no different. Recession notwithstanding, colours were in full flow. Our top 10 picks for this year’s Oscar fashionistas.


The first half


From left to right:
Alicia Keys wearing a lilac Armani Prive gown.
Penelope Cruz in the classic Pierre Balmain.
Slumdog star Frieda Pinto created a sensation at the carpet too. Her deep blue gown by John Galliano with one are covered was on everyone’s lips.
Marissa Tomei, nominated for Best Supporting Actress, wore a Versace gown and adorned Van Cleef & Arpels jewels.
Heidi Klum wore a sensational, extremely modern red architectural gown by Roland Mouret.

Pinto was exceptional but the first among the equals happened to be keys

The remaining 5


From left to right:
Amy Adams, Best Supporting Actress nominee, in a red Carolina Herrera ensemble with a multi-colored collar necklace by Fred Leighton. The black linear patterns added to breaking the monotony.
Jessica Biel in a strapless ivory satin Prada.
Kate Winslet, winner of Best Actress trophy, in a Atelier Yves Saint Laurent double colored gown by Stefano Pilati. Her jewels are by Chopard.
Mickey Rourke, Best Actor nominee in a white suit by Jean-Paul Gaultier. Take note of chains dangling from one side of his waist.
Queen Latifah in a crystal-embellished navy one-shoulder gown by Georges Chakra.

Rourke, Rourke, Rourke! He may have missed the Oscar this time -- the greatest UPSET some have called, but his innovative tuxedo, what he calls it, was certainly a scene stealer. The only male in this list. Others were completely boring.


(Photos courtesy: The Academy)

Thursday, February 19, 2009

Rushdie, fatwa and terror this Valentine

A 1981 picture of Salman Rushdie when he won the Booker Prize for Midnight's Children. photo courtesy: Man Booker Prize


Sudhakar Jagdish




Page 88: …The world had rediscovered Flight AI-420, the Boeing 747 Bostan. Radar tracked it; radio messages crackled. Do you want permission to land? But no permission was requested. Bostan circled over England's shore like a gigantic seabird. Gull. Albatross. Fuel indicators dipped: towards zero…. The hostages watched the fight to death, unable to feel involved, because a curious detachment from reality had come over the aircraft a kind of inconsequential fatalism, one might say…. and although at that moment Buta and Dara rushed at her she pulled the wire anyway, and the walls came tumbling down. No, not death: birth…

Reading these passages from Salman Rushdie's controversial fiction The Satanic Verses on the eve of this Valentine's Day is riveting and laced with pieces of history -- contextual and contemporary. Two decades ago, on February 14, 1989, Rushdie was attending a memorial service in London. By then he was informed that Iranian Muslim leader Ayatollah Khomeini has issued a fatwa sentencing him to death for blasphemy against Islam. What followed was decades of Rushdie's hiding, attacks on bookstores and increasing decibel in the debate on censorship -- still a contemporary thing as pub goers are bashed in Mangalore, film posters are torn apart and a Bengali author is dashed off from one city to another in the darkest of hours.

(One of the several protests that erupted after The Satanic Verses was published in 1989)

In context is the opening chapter of the book where a hijacked Air India flight between Mumbai, then Bombay, and London is ripped apart by the explosive laden hijacker/terrorist over the English Channel. Rushdie penned the book which was preceded by Kanishka bombing over the Atlantic and followed by Lockerbie over Scotland. In the two decades, new boundaries were etched out in Eurasia, leaders got assassinated, Olympics were celebrated, earthquakes and Tsunami took lives, rising temperature drowned low-lying islands and incidents of terrorism rose exponentially. Headlines of attacks and toll in mammoth fonts and acerbic shades accompanies every breakfast, wrinkled image of Ajmal Kasab in a tabloid becomes lunchbox covers, word "bravo" is heard as people watch "The Stupid Common Man" coaxing the Mumbai Police Commissioner to hurry up to the War Room in A Wednesday.

Blasts are no more "exhilarating" but banal and has touched monotonous proportions akin to late 90s incidents of throwing grenades on Srinagar streets -- Is the frequency and commonality of the incidents are to blame for it? So could there be more spectacular attacks? As a former R & W officer and a well-known security expert R S N Singh puts it. "Soon there could be attacks, but in what form is hard to be ascertained." Another famous defence expert P R Chari says, "One have to run his/her imagination wild to get a premonition of what is in store." "High profile targets will be attacked, there could be assassination attempts," Singh adds. And according to Chari the terrorists could try to cripple the economy (for example) by attacking the nodal electric installations in a coordinated manner just like what the US did in Kosovo.

(The eight suspected terrorists who plotted to blow several trans-atlantic flights in 2006. The verdict in the case is awaited. photo courtesy: Photonews)

Treading over the Brooklyn Bridge, the numerical architecture of 11 is missing from the skyline, a visual accompanied with the echo of Daisycutters over Hindu Kush. Since then some youths in Bangladesh, Singh says, are sporting T-shirts with Osama's side and front profile. Chari says the tendency of terrorists have shifted from suicide attacks to suicidal attacks. The elongated queue of desperate youths to kill themselves for honour not only among the jehadis but also within outfits like the Tamil Tigers has only further elongated, he adds. And then. 79 days before this Valentine, a sketch of the triangle of horror was etched at an eye altitude of 10141 ft over the Google Earth's satellite image of Mumbai -- the birthplace of Rushdie and his Saladin Chamcha.


(Security man takes cover behind a fire brigade van as terrorists took the iconic Taj Hotel hostage during their three-day siege in Mumbai beginning November 26, 2008. photo courtesy: New York Times)

Thursday, February 5, 2009

Nominations for 2008 REEL AWARDS



WE at The GNBI are proud to announce the nominations for the 2008 REEL AWARDS. This is the first time the Team GNBI has decided to award the best in the Hindi Film Industry.
We do not like to sound cliché that this award is different from the rest but we have decided that the coveted prize will be given to the best irrespective how popular or unpopular the films were at the Box Office. All the Hindi films have been short listed from over 200 Hindi movies, including those from Pakistan, that hit the theatres in India between January 1 and December 31, 2008. All the nominees are in alphabetical order of the film’s name.
The Awards will be announced here on March 5, 2009 ( Thursday)


Best motion picture of the year
Aamir
A Wednesday
Mumbai Meri Jaan
Rock On
Welcome to Sajjanpur

Achievement in directing
Rajkumar Gupta for Aamir
Neeraj Pandey for A Wednesday
A R Murugadoss for Ghajini
Shoaib Mansoor for Khuda Ke Liye
Shyam Benegal for Welcome to Sajjanpur

Best animated feature film of the year
Dashavatar
Ghatotkach
Jumbo
My Friend Ganesha 2
Roadside Romeo



Performance by an actor in a leading role
Rajiv Khandelwal for Aamir
Nasseruddin Shah for A Wednesday
Vinay Pathak for Dasvidaniya
Aamir Khan for Ghajini
Hrithik Roshan for Jodhaa Akbar

Performance by an actor in a supporting role
Anupam Kher (A Wednesday)
Pankaj Kapoor (Halla Bol)
Prateek Babbar (Jaane Tu Ya Jane Na)
Sunjay Dutt (Kidnap)
K K Menon (Shaurya)

Performance by an actress in a leading role
Priyanka Chopra for Fashion
Aishwarya Rai for Jodhaa Akbar
Nandita Das for Ramchand Pakistani
Chitrangada Singh Sorry Bhai
Kajol for U, Me aur Hum

Performance by an actress in a supporting role
Bipasa Basu (Bachna Ae Haseeno)
Kangana Ranaut (Fashion)
Ratna Pathak Shah (Jaane Tu Ya Jaane Na)
Sohaa Ali Khan (Mumbai Meri Jaan)
Shahana Goswami (Rock On)



Achievement in film editing
A Wednesday
Ghajini
Jodhaa Akbar
Race
Woodstock Villa
Achievement in visual effects
Drona
Ghajini
Love Story 2050



Achievement in costume design
Fashion
Ghajini
Jodhaa Akbar
Race
Singh is King

Achievement in makeup
Drona
Ghajini Jodhaa Akbar
Rab Ne Bana Di Jodi
Singh is King

Achievement in art direction
Fashion
Dostana
Drona
Jodhaa Akbar
Race

Achievement in cinematography
A Wednesday
Jodhaa Akbar
Aamir
Khuda Ke Liye
Race

Best original screenplay
Aamir
A Wednesday
Dasvidaniya
Mumbai Meri Jaan
Welcome to Sajjanpur

Best adapted screenplay
Hello
The President Is Coming
The Last Lear




Achievement in music written for motion pictures (Original score)
Vishal Sekhar (Bachna ae Haseeno)
A R Rahman (Jaane Tu Ya Jane Na)
A R Rahman (Jodhaa Akbar)
Shankar Ehsaan Loy (Rock On)
A R Rahman (Yuvvraaj)

Achievement in music written for motion pictures (Original song)
A R Rahman and Javed Akhtar for Kabhi Kabhi Aditi (Jaane Tu Ya Jaane Na)
A R Rehman and Javed Akhtar for Khwaja Mere Khwaja ( Jodhaa Akbar)
Salim-Sulaiman and Jaideep Sahni for Tujh Main Rab Dikhta Hain (Rab Ne Bana Di Jodi)
Shankar Ehsaan Loy and Javed Akhtar for Socha Hai (Rock On)
A R Rehman and Gulzar for Tu Hi Meri Dost Hai (Yuvvraaj)

Achievement in playback singing for motion pictures (Male)
Javed Ali for Gujarish (Ghajini)
Javed Ali for Kabhi Kabhi Aditi (Jaane Tu Ya Jaane Na)
Sukhwinder Singh for Haule Haule (Rab Ne Bana Di Jodi)
Atif Aslam for O Jaane Ja (Race)
Benny Dayal for Tu Hi Meri Dost Hai (Yuvvraaj)

Achievement in playback singing for motion pictures (Female)
Shilpa Rao for Khuda Jaane (Bachna ae Haseeno)
Shruthi Pathak for Mar Jawan (Fashion)
Caralisa Monteiro for Phir Dekhiye (Rock On)
Alka Yagnik for Tu Muskara (Yuvvraaj)
Shreya Ghosal for Tu Hi Meri Dost Hai (Yuvvraaj)

Monday, February 2, 2009

Rafa comes of age as age comes in Fedex’s way


BY VIKRAM VISHAL

WHAT is it that “killing” the 13-time Grand Slam champ? The missed opportunity to become the greatest-ever, equalling Pete Sampras’ magical tally of 14 majors– the most talked-about number in tennis? Yet another opening to avenge defeats to rival Rafael Nadal meeting a dead end? Or the agony of seeing the gap between the World No 1 and No 2 increasing further?
It probably is the amalgamation of all these ‘factors’ and many more that made the Swiss break down at the Melbourne Park. Having reached the final of the first Grand Slam of the year, he had a number of motivating factors, including the support of most of The Greats, not only to beat the man who is at the pinnacle of men’s tennis, but also to affirm that he is down but not out.

“It’s an unbelievable opportunity for me, of course, you know, not being No. 1 anymore, trying to beat No. 1 in the
world and getting the 14th Grand Slam… This is where I won the Grand Slam to become No. 1 in the world back in 2004, so I've always had a special liaison with this tournament,” is what he had to say a day before the grand finale. Fedex’s 2004 victory had come after winning Wimbledon the previous year. And on Sunday, history repeated itself sans the Swiss master.

Twenty-four hours later: “The problem is you can't go in the locker room and just take it easy and take a cold shower. You can't. You know, you're stuck out there. It's the worst feeling, you know. So, I don't know, it's rough,” said the three-time Australian champion after the Spaniard triumphed at the end of the four-our-and-23-minute match.
He might have said before the match that “I don't only look at the majors”, and still feels every tournament he enters he would like to win, but he was very clear of the fact that what all wonders a Grand Slam victory can do, particularly if a No 2 is eying the top rank.

“It gives the most points, it's most rewarding in terms of ranking and in terms of being judged how you're playing. You get the biggest test. It's best-of-five sets. That's why obviously Grand Slams are very intriguing,” were his words hours before tears left him speechless upon receiving the runners up trophy.
His inconsolable emotion (along with his game of course) did earn him a standing ovation soon after the match. But the kind of reception given to Nadal was not the one a champion deserved, thanks to the ‘emotional’ spectators who, predictably, got ‘carried away’, so much so that even t
he 22-year-old could only say “I really know how you feel right now, but remember you are one of the best in history”.
While the
former World No. 1 used words like “it’s killing me…” and “… will return next year”, the present No. 1 replied with “sorry for today mate”.
Federer has announced to return next year as he knows he is a master of the game as also the fact that Nadal has spent a year dragging him down, ending his run of five Wimbledon titles and his record stretch atop the rankings. While the former ‘fact’ will no doubt be a shot in his arm to retrieve his lost crown, the latter ‘truth’ seems to be what that might be “killing” him.
If anything that today’s on-court action followed by the off-court drama reflects is while Rafa has come of the age, age has come in the way of 27-yar-old Fedex!

Sunday, February 1, 2009

It’s killing me… will return next year

Not akin to his style, the Master, Roger Federer, broke down after he lost to Rafael Nadal in the five-setter Australian Open Finals on Sunday. An emotional Fed broke down after receiving the Runners up trophy from legendary Rod Laver. “It’s killing me…” were the words which Fed uttered before becoming inconsolable while the audience gave him a standing ovation. But when Nadal came at the podium and hugged him, he took the microphone again and said “… will return next year.”

Later speaking to organisers, when he was urged to tell about the emotions he is undergoing, Fed said: “I mean, I fought hard, you know. I mean, I think I played well. I'm happy with where my game's at. I wish my serve would have been better, but that's something that sometimes is a bit, you know, day-form issue, you know… But, look, I mean, I love this game. It means the world to me, so it hurts when you lose.”

He said that this final would be one of the matches in his career where he felt that he “could have or should have won.” “But you can't go through your whole life as a tennis player taking every victory, you know, that's out there. You've got to live with those, you know. But they hurt even more so like if you're that close, you know, like at Wimbledon or like here at the Australian Open. So that's what's tough about it. But I have no regrets, you know. So it's all right,” he added. Rejecting the notion that he was hurt more since today’s win could have fetched him 14th Grand Slam title, Fed said, “ In the first moment you're disappointed, you're shocked, you're sad, you know, then all of a sudden it overwhelms you. The problem is you can't go in the locker room and just take it easy and take a cold shower. You can't. You know, you're stuck out there. It's the worst feeling, you know. So, I don't know, it's rough.”



(pic courtesy Getty Images)

Monday, January 26, 2009

Upbeat Republic

The Republic Day celebrations coming exactly two months after the attack in Mumbai on November 26, 2008 was not muted at all. Lifting the spirits, the parade at the Rajpath bestowed the India’s resilience.
These are the three best moments, particularly the marching contingent of the Parachute Regiment that stole everyone’s heart with their thumping beats and echoing voice.

The contingent of Parachute Regiment marching on the Rajpath. (Photo courtesy AP)


Two Sukhoi Mki aircraft being refueled mid air over the Rajpath on Monday. (Photo courtesy PIB)


The panoramic view of the Rajpath. Poor visibility due to the intense fog in the morning posed a hindrance in the beginning but as the day passed, Sun came out to greet people. (Photo courtesy PIB)

Saturday, January 24, 2009

Are we Oscar coherent?

So, finally the nominations have been announced by the Academy and we at The GNBI looks back our own set of nominations and gauge how correct or incorrect we were. Better to say, how closer or far were the thought process of the Academy and Team GNBI.
On January 18, four days ahead of the final nominations, The GNBI had given a list of the nominations and the winners -- which are our favourites for this year to get the golden statuettes -- in the six top categories. These were not predictions as stated earlier but our choice.
The Academy has chosen more or less the same as in most of the categories we were able to score above 60 per cent. The biggest disappointment for us was the Academy’s complete neglect of Sam Mendes directed Revolutionary Road that starred Leonardo DiCaprio and Kate Winslet. We, however, stand by our choice and consider the cinematic depiction of one of the Robert Yates’ novel as this year’s one of the finest.
We are also not changing our winners list, as all our winners feature in the Academy’s nominations too. We hope our winners will take home the Oscars.

Best Motion Picture
Whom Academy Chose
The Curious Case of Benjamin Button
Frost/Nixon
The Reader
Slumdog Millionaire
Milk

Whom We chose
Milk
Rachel Getting Married
Revolutionary Road
Slumdog Millionaire
The Curious Case of Benjamin Button

Score: 3/5 Most Likely Coherent
We thought that Rachel Getting Married and Revolutionary Road would make it to the Academy list, but they instead chose Frost/Nixon and The Reader -- the films that have political overtones.

Achievement in Direction
Whom Academy Chose
David Fincher (The Curious Case of Benjamin Button)
Ron Howard (Frost/Nixon)
Stephen Daldry (The Reader)
Danny Boyle (Slumdog Millionaire)
Gus Van Sant (Milk)

Whom We chose
David Fincher (The Curious Case of Benjamin Button)
Danny Boyle (Slumdog Millionaire)
Gus Van Sant (Milk)
Sam Mendes (Revolutionary Road)
Woody Allen ( Vicky Cristina Barcelona)

Score:
3/5 Most Likely Coherent
The Academy chose to repeat the Best Film list in this category too by nominating their directors. But it still makes us wonder why they chose to ignore Sam Mendes and his Revolutionary Road.

Best Actor
Whom Academy Chose
Richard Jenkins (The Visitor)
Frank Langella (Frost/Nixon)
Sean Penn (Milk)
Brad Pitt (The Curious Case of Benjamin Button)
Mickey Rourke (The Wrestler)

Whom We chose
Brad Pitt (The Curious case of Benjamin Button)
Colin Farrell (In Bruges)
Frank Langella (Frost/Nixon)
Mickey Rourke (The Wrestler)
Sean Penn (Milk)

Score: 4/5 Coherent
We had chosen Colin Farrell for his performance in comedy thriller In Bruges but Academy preferred Richard Jenkins for The Visitor.

Best Actress
Whom Academy chose
Anne Hathaway (Rachel Getting Married)
Angelina Jolie (Changeling)
Melissa Leo (Frozen River)
Meryl Streep (Doubt)
Kate Winslet (The Reader)

Whom We chose
Anna Hathaway (Rachel Getting Married)
Kate Winslet (Revolutionary Road)
Kate Winslet (The Reader)
Meryl Streep (Doubt)
Sally Hawkins (Happy-Go-Lucky)

Score: 3/5 Most Likely Coherent
We made a very unique and peculiar preference by nominating Kate Winslet twice in the same category for her role in Revolutionary Road and The Reader, but the Academy again chose to ignore the film adaptation of Yates’ novel. Quite intriguing to see that Revolutionary Road that gave Winslet the Golden Globe Award fails to get even a nomination at the Oscars. Interestingly, the Academy preferred to bring in Angelina Jolie for Changeling and dropped Sally Hawkins. We think America needed Sally to lift the spirits.

Best Supporting Actor
Whom Academy chose
Josh Brolin (Milk)
Robert Downey Jr. (Tropic Thunder)
Philip Seymour Hoffman (Doubt)
Heath Ledger (The Dark Knight)
Michael Shannon (Revolutionary Road)

Whom We chose
Dev Patel (Slumdog Millionaire)
Josh Brolin (Milk)
Robert Downey Jr. (Tropic Thunder)
Philip Seymour Hoffman (Doubt)
Heath Ledger (The Dark Knight)

Score: 4/5 Coherent
We had a wild card entry for this category in Dev Patel, but the Academy had its own in Michael Shannon for Revolutionary Road!!!

Best Supporting Actress
Whom Academy chose
Amy Adams (Doubt)
Penélope Cruz (Vicky Cristina Barcelona)
Viola Davis (Doubt)
Taraji P. Henson (The Curious Case of Benjamin Button)
Marisa Tomei (The Wrestler)

Whom We chose
Penélope Cruz (Vicky Cristina Barcelona)
Viola Davis (Doubt)
Taraji P. Henson (The Curious Case of Benjamin Button)
Marisa Tomei (The Wrestler)
Tilda Swinton (Burn After Reading)

Score: 4/5 Coherent
So finally, Doubt has two nominations in this category. Our choice for Swinton was dropped by the Academy to make way for Amy Adams and we are not complaining because we knew that Adams has all the right acting attributes to make it to the list.

The Rahman Moment
For India, this year the Academy Awards will be a great event. Thanks to Slumdog Millionaire which has fetched A R Rahman THREE Oscar nominations -- for Best Original Score where he will be competing with Alexandre Desplat (The Curious Case of Benjamin Button), James Newton Howard (Defiance), Danny Elfman ( Milk) and Thomas Newman ( WALL-E).
-- for Best Original Song where he notched two nominations Jai Ho with Lyric by Gulzar and O Saya with Lyric by Maya Arulpragasam. In this category his third and only competitor is Peter Gabriel and Thomas Newman for Down to Earth (WALL-E).
With Golden Globe already in his pocket, Oscar statuette is what he and rest of India will be looking for.
To view the complete list of Oscar nominations click here

Sunday, January 18, 2009

Our Oscar Favourites

4 Golden Globe statuettes in pocket, Slumdog Millionaire has whizzed its way through the top Oscar favourites. But Oscar and Globe are little different. They have been twitched on their edges. Unlike the Globe which is decided by 90 odd film journalists, mostly freelance writers, and critics from around the world, the jury of the Academy Award is altogether a different demography. There are more than 6,000 artists and professionals who constitute Academy members and it is completely Americana. In spite of the fact, that the probability of same film and actors getting the golden Oscar and Globe is close to 4:5, there are always interesting and shocking deviation. This year could be the Year of Diversion, too.
But Slumdog Millionaire will not have a disappointing rendezvous with the 81st Academy Award. Possibly, the celebration of human spirit -- which is Oscar’s most affectionate emotion -- could help the film get nominations as well as a couple of golden statuettes. In the wake of Mumbai attack, the film capturing the spirit of Bombay could find its name reverberate in the Kodak Theatre on the night of February 22.
Here’s a list of nominations and winners of the top SIX categories as per The GNBI. (We are deeply sorry to exclude others due to lack of time). It’s not predictions, it is simply our way of heaping admiration. However, when the Academy would come up with their own nominations and the winners we, as accountable ones, would verify how correct our wrong we were. We, the team GNBI, would then gauge the amount of coherency or incoherency we and Academy share.
Best Motion Picture of the year
Nominations (in alphabetical order)
Milk
Dan Jinks, Bruce Cohen
Focus
Based on the true life of Harvey Milk, the first openly gay politician of the US in 1970s, the film “charts the last eight years of his life” before his tragic death in 1978. His pivotal role in campaign against Proposition 6 -- statewide referendum to fire gay schoolteachers and their supporters -- is documented in this film. In view of recent victory of Proposition 8 -- annulment of gay marriage -- in California, the movie has evoked a buzz.
Rachel Getting Married
Jonathan Demme, Neda Armian and Marc Platt
Sony Pictures Classic

The film depicts the “heartfelt, perceptive and sometimes hilarious family portrait” of Kym whose sister Rachel is getting married. The family occasion brings Kym back from rehab along with “personal crisis, family conflict and tragedy.” The wedding -- “a joyful weekend of feasting, music and love” is marked by Kym’s “biting one-liner and flair for bombshell drama”. Note that the Academy loves American family conflict, if it is well portrayed just like this film does.
Revolutionary Road
John N Hart, Scott Rudin, Sam Mendes and Bobby Cohen
An Evamere Entertainment BBC Films Neal Street Production; DreamWorks Pictures in Association with BBC Films and Paramount Vantage

Based on Richard Yates novel of the same name, it showcases the marriage of a beautiful couple -- Frank and April -- in America’s 1950s. The film beautifully directed by Sam Mendes, Academy Award winner for American Beauty, brings together Leonardo DiCaprio and Kate Winslet (Mendes’ wife) on screen together for the second time.
Slumdog Millionaire
Christian Colson
Fox Searchlight Pictures and Warner Bros
Based on the novel Q&A written by Indian diplomat Vikas Swarup, the film narrates the story of Jamal, a slum boy, who wins 20 million rupees (Rs 1 crore) on India’s “ Who wants to be a millionaire” only to be interrogated by police as how he “managed” to know the answers of every question. Jamal spending a night at police station where he unfolds the mystery of the answers -- all of which are related to his incidents in life.
The Curious Case of Benjamin Button
Kathleen Kennedy, Frank Marshall, Ceán Chaffin
Warner Bros. Pictures and Paramount Pictures
“The Curious Case of Benjamin Button adapted from the 1920s story by F. Scott Fitzgerald about a man who is born in his eighties and ages backwards. A man, like any of us, unable to stop time. The film follow his story set in New Orleans from the end of World War I in 1918, into the 21st century, following his journey that is as unusual as any man’s life can be. Directed by David Fincher, The Curious Case of Benjamin Button is a time traveller’s tale of the people and places he bumps into along the way, the loves he loses and finds, the joys of life and the sadness of death, and what lasts beyond time.” --excerpt from the movie's promotional website.

.... and the Oscar goes to...
SLUMDOG MILLIONAIRE



Achievement in Directing
Nominations (in alphabetical order)

Danny Boyle (Slumdog Millionaire)
Oh! Boyle who had directed horror stuff like 28 Days and hyped film like The Beach, starring Leonardo DiCaprio, comes with a scintillating eighth venture in Slumdog, a career best with a layered narrative.

David Fincher (The Curious Case of Benjamin Button)
Known for directing films, mostly dark, like Panic Room, Fight Club, Fincher has come up with a fantasy film that has generated a huge curiosity for Brad Pitt’s ageing talk. But the director is being credited for giving visual presentation of such a difficult story.

Gus Van Sant (Milk)
Winner of 2003 Best Directing Award at Cannes Festival for his film Elephant just after his controversial remake of classic Psycho, Van Sant made his directorial debut in 1985 with critically acclaimed Mala Noche. With Milk, he has again raised the bar for himself as the portrayal of Milk Harvey is not entirely eulogizing one, that normally happens with the biopic.


Sam Mendes (Revolutionary Road)
He took the Best Director Oscar in 1999 for his debut Hollywood movie American Beauty, a movie which captured the confusion, dreams and fragility of an American family. With Revolutionary Road he once again brings back the tribulations of a married couple in the 1950s US through Yates novel. The buzz he had created by directing a sex scene of his wife (Kate Winslet) with Leonardo DiCaprio for the film. When asked by a leading British journal, The Observer, about Caprio’s sex scene with Winslet, Mendes had this to say:
“Directing any sex scene, Sam Mendes says, is 'a profoundly weird experience', but when the sex scene is between Leonardo DiCaprio and your own wife, it's 'almost impossible' for them to do it if you're in the same room. So for the relevant parts of Revolutionary Road, his first collaboration with Kate Winslet, and the first film Winslet and DiCaprio have made together since Titanic, Mendes moved the monitor screens into another room, and watched from there. The actors would hear him shout from around the corner: 'Leo, don't bang her head so hard against the kitchen cabinets!' And: 'Could you not do it for so long this time?' DiCaprio wanted specifics. 'Like how long?'
'About 45 seconds.'
A meaningful smile from DiCaprio: 'Really? Only 45 seconds?' Mendes laughs as he retells the story. 'I chose to ignore the obvious inference. I said: What's wrong with 45 seconds? That's a long time. Anyone would be lucky..."
Woody Allen (Vicky Cristina Barcelona)
Nominated for Best Actor in 1977 Academy Awards for his role of Alvy Singer in Annie Hall, Allen got the Oscars for Best Director and Best Writing for the same film. Huh! What a year it was for Allen. Since then he has been nominated 18 times!!! ( Four times for Directing and the rest for writing). This year with Vicky Cristina Barcelona -- a tale of two Americans, Vicky and Cristina, spending summer in Barcelona where they meet an author and how their lives is thrown into a chaos with the author’s ex-wife thrown in the middle. Allen score again with one-dimensional narration of multi-dimensional characters without making the film look chaotic.
.... and the Oscar goes to...
DANNY BOYLE
for Slumdog Millionaire

Performance by an Actor in a Leading Role
Nominations (in alphabetical order)
Here we had to make some unusual choice. We dropped Leonardo DiCaprio for his performance in Revolutionary Road, but it was a difficult option. We hope Caprio to make the Academy nomination list

Brad Pitt (The Curious case of Benjamin Button)
Academy Award nominee for his role in Twelve Monkeys, Pitt who meanders between award winning movies and entertaining flicks, has given a wonderful performance as Benjamin Button. By ageing backwards in this film, that required the best make-up, he has inched forward to the Oscar podium after 14 years.



Colin Farrell (In Bruges)
Never nominated for an Oscar, Farrell’s performance in In Bruges is his career best. With Golden Globe in his hand this year, Farrell can rejoice over his role of a hit man asked by his boss to cool his heels with one of his colleague in Belgium ahead of Christmas but get caught in unusual circumstances in the comedy thriller.


Frank Langella (Frost/Nixon)
In the year when Americans were drowned in the Presidential elections and made history by electing Barack Obama as first African American president of the country, Watergate scandal revisited the country, albeit in screens. Langella as disgraced President Nixon gives an interview to British TV personality David Frost, played by Michael Sheen, in Ron Howard’s yet another political drama after The Queen. Adapted from Peter Morgan’s play of the same name, this is Howard’s another feather in his crown, As New York Times in its review for the film writes: “Mr. Sheen has been pitted against a scene-stealer who, if not carefully tethered, will devour the screen by the greedy mouthful. And devour Mr. Langella does, chomp chomp. Artfully lighted and shot to accentuate the character’s trembling, affronted jowls, his shoulders hunched, face bunched, he creeps along like a spider, alternately retreating into the shadows and pouncing with a smile. That smile should give you nightmares, but Mr. Howard, a competent craftsman who tends to dim the lights in his movies even while brightening their themes (A Beautiful Mind), has neither the skill nor the will to draw out a dangerous performance from Mr. Langella, something to make your skin crawl or heart leap.” As somewhere someone wrote why watch a film when one can see the original 360 minutes interview of Nixon with Frost that caught the most eyeballs in 1977.
Mickey Rourke (The Wrestler)
It’s the resurrection of one of the Hollywood’s “lost actors”. Rourke as Randy the Ram tries to scrap through his life after being once a wrestling star. It is Rourke career best performance and while taking the Golden Globe award for Best Actor he did say, “It's been a long road back for me.” As Ram, Rourke tries to get mend his life by seeking affection from his estranged daughter and reaching out to a stripper, played by Marisa Tomei in an award winning role. The Hollywood Reporter says: “Rourke dispenses with all vanity to plumb the depths of this well-meaning but severely damaged man… Ram might be the ultimate loser, but Rourke scores a winning tour de force.”
Sean Penn (Milk)
Four times nominated for Best Actor role in Oscars (1995, 1999, 2001 and 2003) he won the coveted golden statuette in 2003 for Mystic River. This year he is back with his sensitive and restricted portrayal of Harvey Milk, the first openly gay politician in 1970s US. Having also reported for journals like Time, Rolling Stone and The San Francisco Chronicle, his coverage of Iraq war in 2004 followed by elections in Iran are his high points as scribe. So, will Oscar honour him once again..

.... and the Oscar goes to...
SEAN PENN
for Milk



Performance by an Actress in a Leading Role
Nominations (in alphabetical order)
Anna Hathaway (Rachel Getting Married)
Portraying the role of Kym in this family drama, Hathaway is brutal, embarrassing and most of times oozing sarcasm. Just back from rehab, Hathaway has not been so bruised, mentally, and never so “revenging” in her own way to open up the family’s scar and its best kept secrets.



Kate Winslet (Revolutionary Road)
Nominated fives times for Oscar in Best Leading Actress and Best Supporting Actress roles (1995, 1997, 2001, 2004 and 2007), Winslet has a winner this year in her role as embattled wife of Caprio in the film directed by her husband Sam Mendes. Winslet has done complete justice to her role who wants to play the wife and also chart her own course.

Kate Winslet (The Reader)
Kate again for her role as a Nazi war criminal in the film adaptation of German novel of the same time. Again a gritty portrayal by Kate Winslet as Hanna Schitmz, a tram conductor who has a short affair with a 15-year-old boy. But she soon disappears only to be discovered eight years later by the boy, now a divorced father, in a court room as Nazi war criminal and then the unraveling of mysteries. Directed by Stephen Daldry, the film is gripping but Kate’s act is fabulous that even the Globe gave her the Supporting Actress award -- though she is in a leading role!!! Amused. Read what Rolling Stone wrote in the film’s review about Kate: “Her fierce, unerring portrayal goes beyond acting, becoming a provocation that will keep you up nights.”

Meryl Streep (Doubt)

An Oscar veteran Streep has been nominated 14 times and on two occasions she has taken the golden uncle to her home. This year is another high for Streep. After getting nominated for her role as Miranda Priestly in The Devil wears Prada, Streep has once again don the role of an iron-gloved and no-nonsensical Sister Aloysious who “believes in power of fear and discipline” and wants to throw away Father Flynn for trying to bring in CHANGE. Newsweek writes : Streep, with her no-nonsense Bronx accent and know-it-all smirks, gives this battleaxe a sly wit: she may be working too hard, but she's fun to watch.
Sally Hawkins (Happy-Go-Lucky)
With economy in recession, Oscar has all the right reason to give the golden statuette to Poppy, a free-spirited school teacher who finds happiness even in the most trying circumstances. Portrayed by Sally Hawkins, who has never been nominated for Oscar, can wear BE POSITIVE attitude. Having been awarded with Golden Globe she can be optimistic like her reel character. With Winslet likely to dominate this year’s Oscars, she can still see the half glass half full.

.... and the Oscar goes to...
KATE WINSLET
for Revolutionary Road



Performance by an Actor in a Supporting Role
Nominations (in alphabetical order)
Dev Patel (Slumdog Millionaire)
The 18-year-old British actor of Indian origin must be getting goose bumps. Although he failed to achieve nomination at the Golden Globe nomination, the Academy will not disappoint him. He is most likely to get nomination and some are even predicting that he could beat the next nominee in the list, Heath Ledger (Though we don’t think so). But his portrayal of a young Muslim boy from Mumbai’s slum who wins Rs 20 million in the quiz show is a gripping role with confuse, painful, sardonic and sometimes witty look.
Heath Ledger (The Dark Knight)
The last but not the least performance by Ledger in Christopher Nolan’s rendition of Batman that led the audience to question whether the central character was the superhero or the wicked villain Joker as epitomized by the late actor. It could be possible that the Academy nominates the Brokeback star in the list of Actor in a Leading role. But in either the category he wins hands down.
Josh Brolin (Milk)
Playing the role of Dan White in the biopic of Harvey Milk, Brolin makes his argument with Milk real and genuine. His body language exudes the character and in many scenes he even manages to diminish Penn’s (as Milk) charisma.


Philip Seymour Hoffman (Doubt)
Portraying the role of Father Flynn as the agent of change or reform in St.Nicholas, Hoffman after winning the Best Leading Actor Oscar in 2005 for biopic Capote, has once again a meaty role in John Patrick Shanley’s movie rendition of his own theatrical presentation Doubt. Hoffman who is doubted for giving too much “personal” attention to Donald Stewart - the first black student of the church has to fight a battle of doubt and suspicion raged by Sister Aloysious.
Robert Downey Jr. (Tropic Thunder)
16 years have passed since Downey Jr. was nominated for Oscar in the Lead Actor category. In an all star ensemble cast -- Tom Cruise, Ben Stiller (also the director of the movie) Jack Black -- Downey stands apart as Kirk Lazarus, a white Aussie who has been tanned for the role. The Telegraph wrote: “But Downey Jr is the unquestionable star. He not only embraces the absurdity of his character, but takes it to such an extreme that he becomes weirdly real and affecting” in this once again Vietnam war flick.

.... and the Oscar goes to...
HEATH LEDGER
for Dark Knight



Performance by an Actress in a Supporting Role
Nominations (in alphabetical order)
Marisa Tomei (The Wrestler)

Having already won the 1992 Oscar Best Supporting Role, this will be her third nomination in the same category. In The Wrestler, she plays a gritty stripper girlfriend of Randy the Ram. Rolling Stone writes: “Tomei is flat-out fabulous, playing a woman who knows as well as Ram that a body can take only so much abuse.” And Hollywood Reporter has this to add: “Tomei delivers one of her most arresting performances, again without any trace of vanity.”
Taraji P. Henson (The Curious case of Benjamin Button)
As a black surrogate mother of Benjamin Button, Queenie, Henson says she was not expecting to get this role. Awarded the Outstanding Supporting Actress at the 2005 Black Movie Awards and having received the Best Actress nod at the 2006 BET Awards for her performance as Shug in the drama Hustle & Flow, Henson must be looking forward to Oscar as this year the list of Supporting Actress in not so competing.
Tilda Swinton ( Burn After Reading)
She is back again in Award circuit with Coen Brothers’ most “happiest” film Burn After Reading which is in fact a comical spy thriller. As a wife of an CIA analyst and already having an affair with a Treasury Department official, she “investigates” into her husband’s riches that reveals the loss of secret CIA information by her husband followed by divorce. Rolling Stones writes: Props to the freshly Oscar-ed Swinton for flashing a delicious look of contempt that could freeze lava.”
Penelope Cruz ( Vicky Cristina Barcelona)
Nominated for Best Actress in 2006 Oscar for her role in Volver, Cruz has done a fabulous portrayal of an insane wife separated from her flambuoyant author husband. Her Spanish accent only adds to the originality of the character in this film set in Barcelona.



Viola Davis (Doubt)
Nominated for Golden Globe in the same category, Davis is a treat to watch in Doubt. Mother of David Stewart, the first black student of a church, she is told by Sister Aloysious that Father Flynn pays too much personal attention to her son. Newsweek in its review of the film writes : “Hoffman (as Father Flynn) makes a worthy, sympathetic foe, but it's Viola Davis as Donald's mother who gets the most striking scene. Her reaction to Sister Aloysius's suggestion that Father Flynn is taking advantage of her boy is not at all what the sister, or we, expect.”



.... and the Oscar goes to...
VIOLA DAVIS
for Doubt




(Photos courtesy: The Academy, Focus, Sony Pictures, Warner Bros, Universal Studio, Fox Searchlight, Dreamworks, Paramount Pictures, IMDB)